{"id":89,"date":"2021-03-20T23:02:38","date_gmt":"2021-03-20T20:02:38","guid":{"rendered":"http:\/\/tdi_41_5dd"},"modified":"2021-04-29T21:43:46","modified_gmt":"2021-04-29T18:43:46","slug":"olympus-diger","status":"publish","type":"post","link":"https:\/\/astrologoznurorgev.com\/index.php\/2021\/03\/20\/olympus-diger\/","title":{"rendered":"OLYMPOS\u2019TA YA\u015eAYAN D\u0130\u011eER TANRILAR"},"content":{"rendered":"

EROS<\/b><\/h2>\n

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Latince ad\u0131 Cupidoi olan Eros, Mitolojide en \u00f6nemli a\u015fk Tanr\u0131lar\u0131ndand\u0131r. Homeros bu Tanr\u0131n\u0131n ad\u0131n\u0131 hi\u00e7 ge\u00e7irmezken, Heseidos Eros\u2019u \u00f6l\u00fcms\u00fcz Tanr\u0131lar\u0131n en g\u00fczeli olarak nitelendirmi\u015ftir. Peki neydi Eros\u2019u Yunanl\u0131lar i\u00e7in bu kadar \u00f6nemli k\u0131lan?<\/p>\n

Eros A\u015fk Tanr\u0131s\u0131 olarak erkeklerin kalplerinde kendisine yuva kuran bir Tanr\u0131yd\u0131. Erkeklerin a\u015f\u0131k olabilmesi onun elindeydi. Fakat Eros baz\u0131 erkeklerin kalbinde oturmay\u0131 asla kabul etmezdi. Bu kalpler ruhlar\u0131 kaskat\u0131 olan erkeklerin kalpleriydi. Eros bu erkekleri eler, asla yan\u0131lmaz, adeta a\u015f\u0131k olmaya lay\u0131k olanlar\u0131 se\u00e7erdi. Erkekler onun boyunduru\u011fu alt\u0131ndayd\u0131lar, \u00fcstelik isteyerek. Yery\u00fcz\u00fcnde a\u015fktan daha \u00f6nemli bir duygu var m\u0131? Allah a\u015fk\u0131, sevgili a\u015fk\u0131, \u00e7ocu\u011fa duyulan a\u015fk gibi. A\u015fk olmazsa hi\u00e7bir \u015fey tam de\u011fildi. A\u015fk adeta karanl\u0131\u011f\u0131 ayd\u0131nlatan bir \u0131\u015f\u0131kt\u0131. \u00a0Ancak ilgin\u00e7tir ki\u00a0 karanl\u0131k g\u00f6zlere \u0131\u015f\u0131k olan Eros\u2019un kendi g\u00f6zleri k\u00f6rd\u00fc. Eros\u2019u k\u00f6r olarak betimlemekte elbette Yunanl\u0131lar\u2019\u0131n bildi\u011fi ve g\u00fcn\u00fcm\u00fcze kadar gelen \u00e7ok \u00f6nemli bir ger\u00e7ek var; \u201cA\u015fk\u0131n g\u00f6z\u00fc k\u00f6rd\u00fcr.\u201d Yani dikkat edin a\u015f\u0131k olursan\u0131z \u00f6n\u00fcn\u00fcze \u00e7\u0131kan hi\u00e7bir \u00e7ukuru g\u00f6rmez, hi\u00e7bir tehlikeyi sezmez, \u00f6nlem almaya yana\u015fmaz, hatta t\u00fcm \u00e7evrenizden gelen uyar\u0131lara kulaklar\u0131n\u0131z\u0131 kapat\u0131rs\u0131n\u0131z. Ve en sonunda gider o k\u00f6r, dipsiz kuyunun i\u00e7ine d\u00fc\u015fersiniz. Ta ki a\u015fk\u0131n b\u00fcy\u00fcs\u00fc bir s\u00fcre sonra bozulur, etraf ayd\u0131nlan\u0131r, siz olaylar\u0131n\u00a0ger\u00e7ek y\u00fcz\u00fcn\u00fc g\u00f6rmeye ba\u015flars\u0131n\u0131z, o zaman o kuyudan da \u00e7\u0131k\u0131\u015f yolu bulursunuz.\u00a0G\u00fczeller g\u00fczeli Eros kimilerine g\u00f6re g\u00fczellik Tanr\u0131\u00e7as\u0131 Aphrodite\u2019nin o\u011flu, kimilerine g\u00f6re de arkada\u015f\u0131yd\u0131.\u00a0A\u015fk Tanr\u0131s\u0131 Eros g\u00f6revini yapt\u0131\u011f\u0131 s\u0131rada ona yard\u0131m eden Tanr\u0131lar vard\u0131, bunlar Anteros, H\u0131meros, Hymenaios\u2019du.<\/p>\n

ANTEROS<\/b><\/h2>\n

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\u00a0<\/b>Anteros\u2019un g\u00f6revi insanlar\u0131n hor g\u00f6rd\u00fc\u011f\u00fc, bir de\u011feri olmad\u0131\u011f\u0131na inand\u0131klar\u0131 a\u015fklar\u0131n \u00f6\u00e7lerini almakt\u0131. Bazen kendisi dahi a\u015fka kar\u015f\u0131 koyan bir tutum sergilerdi.<\/p>\n

\u00a0<\/b>HIMEROS<\/b><\/h2>\n

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Eros\u2019a yard\u0131m eden di\u011fer Tanr\u0131 Himeros\u2019dur. Himeros \u00d6zlem Tanr\u0131s\u0131 olarak an\u0131l\u0131r. Belli ki Yunan Mitolojisinde a\u015f\u0131klar aras\u0131nda birbirine \u00f6zlem duyman\u0131n \u00f6nemi b\u00fcy\u00fckt\u00fc. Tarih boyunca yaz\u0131lan destanlarda okudu\u011fumuz hik\u00e2yeler, hep b\u00fcy\u00fck a\u015fklar\u0131n b\u00fcy\u00fck \u00f6zlemler nedeniyle devam etti\u011fini yazmaz m\u0131? Ferhat ile \u015eirin birbirinden ayr\u0131lmasayd\u0131, hep bir arada olsalard\u0131, \u00f6nlerinde a\u015fklar\u0131n\u0131 ya\u015fayacaklar\u0131 hi\u00e7bir engel olmasayd\u0131, o zaman b\u00f6yle b\u00fcy\u00fck bir a\u015fk ya\u015fan\u0131r m\u0131yd\u0131, y\u0131llar y\u0131l\u0131 ku\u015faklar boyu anlat\u0131l\u0131r m\u0131yd\u0131?<\/p>\n

HYMENAIOS<\/b><\/h2>\n

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Eros\u2019un di\u011fer bir yard\u0131mc\u0131s\u0131 da Tanr\u0131 Hymenaios\u2019dur.\u00a0 Bu Tanr\u0131 D\u00fc\u011f\u00fcn \u015e\u00f6leni Tanr\u0131s\u0131d\u0131r. \u00c7ok eski d\u00f6nemlerde bir \u00e7ok Tanr\u0131ya inan\u0131lan Yunan Mitolojisinde D\u00fc\u011f\u00fcn \u015e\u00f6leninin \u00f6nemi b\u00fcy\u00fckt\u00fc ki, b\u00f6yle bir Tanr\u0131n\u0131n var oldu\u011funa inan\u0131lm\u0131\u015f. Hala hayat\u0131m\u0131z\u0131n en \u00f6nemli olaylar\u0131ndan biri D\u00fc\u011f\u00fcn T\u00f6renimiz de\u011fil mi? Neden D\u00fc\u011f\u00fcn T\u00f6reninin m\u00fckemmel olmas\u0131 i\u00e7in bu kadar gayret veriyor, onlarca paray\u0131 bu u\u011furda harcamaktan \u00e7ekinmiyoruz? Hala ge\u00e7mi\u015fte ya\u015fayan insanlar\u0131n inan\u0131\u015flar\u0131n\u0131n bir k\u0131sm\u0131n\u0131 kendi h\u00fccrelerimizde ya\u015fat\u0131yor olabilir miyiz?<\/p>\n

HEBE<\/b><\/h2>\n

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Hebe; Zeus ile kar\u0131s\u0131 Hera\u2019n\u0131n k\u0131z\u0131 ve Tanr\u0131 Heraklies\u2019in kar\u0131s\u0131 oldu\u011funa inan\u0131lan Tanr\u0131d\u0131r. Bu Tanr\u0131 Gen\u00e7lik Tanr\u0131s\u0131d\u0131r. \u00c7a\u011flar boyunca insanl\u0131\u011f\u0131n, \u00f6zellikle kad\u0131nlar\u0131n en \u00e7ok \u00f6nem verdi\u011fi konulardan biri gen\u00e7 kalabilmek, g\u00fczel g\u00f6r\u00fcnebilmektir. O halde bu Tanr\u0131n\u0131n Yunan Mitolojisindeki yerini anlamak da olduk\u00e7a kolayd\u0131r diyebiliriz. Ayr\u0131ca Hebe\u2019nin \u00f6nemli bir g\u00f6revi vard\u0131; Tanr\u0131lara i\u00e7ki sunmak. Her \u015feyin ve herkesin \u00fcst\u00fcnde olan Tanr\u0131lara zevk alacaklar\u0131 meyi sunma g\u00f6revi Yunanl\u0131lara g\u00f6re belki de b\u00fcy\u00fck bir onurdu? Kim bilir\u2026<\/p>\n

IRIS<\/b><\/h2>\n

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Yunan Mitolojisinde kendisine \u00e7ok \u00f6nem verilen Tanr\u0131lardan biri \u0130ris\u2019dir, \u00e7\u00fcnk\u00fc \u0130ris t\u00fcm Tanr\u0131lar aras\u0131nda haberci g\u00f6revi g\u00f6rmektedir. Ayn\u0131 zamanda da G\u00f6kku\u015fa\u011f\u0131 Tanr\u0131\u00e7as\u0131d\u0131r. G\u00fcn\u00fcm\u00fcze ula\u015fan de\u011ferli destanlardan olan \u0130liada ve Odyssesia\u2019da, \u0130ris\u2019in bu g\u00f6revinden bahsedilir. \u0130ris \u0130liada destan\u0131nda tek haberci olarak tan\u0131mlan\u0131rken, Odyssesia\u2019ya g\u00f6re bu g\u00f6revde tek ba\u015f\u0131na de\u011fildi. Yard\u0131mc\u0131s\u0131 Hermes\u2019de vard\u0131.<\/p>\n

\u00a0AGLAIA; EUPHROSYNE, THAILEIA<\/b><\/h2>\n

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\u00a0<\/b>Olympos\u2019ta ya\u015fayan \u00fc\u00e7 k\u0131zkarde\u015ftir. Bu k\u0131zkarde\u015fler Zeus\u2019un k\u0131zlar\u0131 ve Titan Okeonos\u2019un torunlar\u0131yd\u0131.<\/p>\n

MUSALAR<\/b><\/h2>\n

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Mitoljide Zeus\u2019un dokuz k\u0131z\u0131na verilen isimdir. Bu k\u0131zkarde\u015fler birbirinden hi\u00e7bir zaman ayr\u0131lmazlar, her zaman ayn\u0131 \u015feyleri d\u00fc\u015f\u00fcn\u00fcrler, \u015fark\u0131lar s\u00f6ylerlerdi. Mutsuz bir insan bu \u015fark\u0131lar\u0131 duyunca rahatlard\u0131.<\/p>\n

KLEIO<\/b><\/h2>\n

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Kleio<\/b>\u00a0veya\u00a0Clio<\/b>\u00a0(Yunanca: \u039a\u03bb\u03b5\u03b9\u03ce).\u00a0Yunan mitolojisindeki\u00a0m\u00fczlerden\u00a0(musalar<\/i>dan) yani ilham perilerinden biri. Tarihi olaylar\u0131 konu alan \u015fiirlerin ilham perisidir. Fenike alfabesini Yunanistan’a getirdi\u011fine inan\u0131l\u0131r. Makedonya kral\u0131 Pierus’dan, Hyacinth isminde bir o\u011flu olmu\u015ftur. Mitolojideki baz\u0131 kaynaklara g\u00f6re Hymenaios’un da annesidir. \u00c7o\u011funlukla bir par\u015f\u00f6men tomar\u0131 veya tabletlerle resmedilmi\u015ftir.<\/p>\n

URANIA<\/b><\/h2>\n

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Urania<\/b>\u00a0(cennet gibi, cennetsel<\/i>)\u00a0Yunan mitolojisindeki\u00a0m\u00fczlerden\u00a0(musalardan<\/i>) yani ilham perilerinden biri.\u00a0G\u00f6kbilim\u00a0ve\u00a0astrolojinin ilham perisidir. Nadiren\u00a0Apollon’dan\u00a0Linus’un annesi oldu\u011fu iddia edilir.\u00c7o\u011funlukla sol elinde bir\u00a0yerk\u00fcre\u00a0fig\u00fcr\u00fc ile resmedilir. Ayr\u0131ca \u00e7o\u011funlukla g\u00f6zleri g\u00f6\u011fe bakar ve giydi\u011fi pelerinin, elbisenin \u00fcst\u00fcnde y\u0131ld\u0131z motifleri vard\u0131r.<\/p>\n

MELPOMENE<\/b><\/h2>\n

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Melpomene<\/b>\u00a0(\u015fark\u0131 s\u00f6ylemek<\/i>),\u00a0Yunan mitolojisinde\u00a0m\u00fczlerden\u00a0(musalardan<\/i>) yani ilham perilerinden biri.\u00a0Trajedinin ilham perisidir. Genelde trajik bir maske, nadiren bir b\u0131\u00e7ak tutarken resmedilir. S\u0131k s\u0131k\u00a0cothurnus<\/i>\u00a0(d\u00f6nemin trajedi oyuncular\u0131 taraf\u0131ndan giyilen bir t\u00fcr bot) giyerken resmedilir<\/p>\n

THALEEIA<\/b><\/h2>\n

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Thalia<\/b>\u00a0veya\u00a0Thaleia<\/b>,\u00a0Yunan mitolojisindeki\u00a0m\u00fczlerden\u00a0(musalardan<\/i>) yani ilham perilerinden biri.\u00a0Pastoral \u015fiir\u00a0ve komedinin ilham perisidir. Genellikle elinde komik bir maske (g\u00fclen bir y\u00fcz ifadesi) ile resmedilmi\u015ftir.<\/p>\n

TERPSIKHORE<\/b><\/h2>\n

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Terpsikhore<\/b>\u00a0(dans etmenin zevki<\/i>) veya\u00a0Terpsichore<\/i>,\u00a0Yunan mitolojisindeki\u00a0m\u00fczlerden\u00a0(musalardan<\/i>) yani ilham perilerinden biri. Dans\u0131n ilham perisidir. Daha sonralar\u0131 m\u00fczi\u011fin ve lirik \u015fiirin ilham perisi olarak da an\u0131ld\u0131\u011f\u0131 olmu\u015ftur. Nehir-tanr\u0131s\u0131\u00a0Achelous’tan\u00a0Sirenler’in annesi oldu\u011funa dair iddialar vard\u0131r. Genellikle otururken, elinde bir\u00a0lir\u00a0ile resmedilir.<\/p>\n

KALLIOPE<\/b><\/h2>\n

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Kalliope<\/b>\u00a0(Yunanca: \u039a\u03b1\u03bb\u03bb\u03b9\u03cc\u03c0\u03b7),\u00a0Yunan mitolojisindeki\u00a0m\u00fczlerden (ilham perileri) biri. Yunanca “\u039a\u03b1\u03bb\u03bb\u03b9o\u03c0\u03b5<\/i>” – “g\u00fczel sesli<\/i>“den gelmektedir.\u00a0M\u00fczlerin\u00a0en b\u00fcy\u00fc\u011f\u00fc ve en zekisidir. Tanr\u0131\u00a0Apollo’dan\u00a0Orfe\u00a0ve\u00a0Linus\u00a0adlar\u0131nda iki o\u011flu olmu\u015ftur. Kalliope epik \u015fiirin, destanlar\u0131n ilham perisidir. Bu y\u00fczden, mitolojiye g\u00f6re, \u015fairlere\u00a0epik \u015fiirleri, destanlar\u0131 ilham eden, yazd\u0131ran odur.<\/p>\n

ERATO<\/b><\/h2>\n

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Erato<\/b>\u00a0(Yunanca: \u1f18\u03c1\u03b1\u03c4\u03ce, anlam\u0131:\u00a0sevimli<\/i>),\u00a0Yunan mitolojisinde, 9\u00a0m\u00fczden\u00a0(ilham perileri) birisidir.\u00a0Lirik \u015fiirin, a\u015fk \u015fiirlerinin ve korolu \u015fiirlerin ilham perisidir.\u00a0Arcas’dan\u00a0Azan\u00a0isminde bir o\u011flu olmu\u015ftur. \u00c7o\u011funlukla bir\u00a0lir\u00a0ile resmedilmi\u015ftir.<\/p>\n

EUTERPE<\/b><\/h2>\n

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Euterpe<\/b>\u00a0(evterpe<\/i>\u00a0olarak okunur, ismi\u00a0Yunanca\u00a0eu<\/i>\u00a0yani\u00a0iyi<\/i>\u00a0ve ismi\u00a0\u03c4\u03ad\u03c1\u03c0-\u03b5\u03c9<\/i>\u00a0yani\u00a0ho\u015fnut etmek<\/i>ten gelir),\u00a0Yunan mitolojisindeki\u00a0m\u00fczlerden\u00a0(musalardan<\/i>) yani ilham perilerinden biri.\u00a0Eutere<\/b>\u00a0olarak da an\u0131l\u0131r. M\u00fczik ve\u00a0lirik \u015fiirin\u00a0ilham perisidir. Ayr\u0131ca e\u011flence, zevk ve\u00a0fl\u00fct \u00fcflemenin ilham perisidir. \u00c7o\u011funlukla fl\u00fct tutarken tasvir edilir. Mitolojideki baz\u0131 kaynaklara g\u00f6re bir t\u00fcr\u00a0fl\u00fct\u00a0olan\u00a0aulos<\/i>u o icat etmi\u015ftir. Yine de bir\u00e7ok\u00a0mitog<\/a>rafa<\/a>\u00a0g\u00f6re\u00a0aulos’u icat eden\u00a0Masyas’d\u0131r. <\/i>Homeros’un\u00a0\u0130lyada’s\u0131na g\u00f6re\u00a0Strymon\u00a0nehri taraf\u0131ndan gebe b\u0131rak\u0131lm\u0131\u015f,\u00a0Rhesus\u00a0isminde bir o\u011flu olmu\u015ftur. Periler (nemfler) taraf\u0131ndan b\u00fcy\u00fct\u00fclen\u00a0Rhesus,\u00a0Troyada\u00a0Diomedes\u00a0taraf\u0131ndan \u00f6ld\u00fcr\u00fclm\u00fc\u015ft\u00fcr.<\/p>\n

THEMIS<\/b><\/h2>\n

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Themis<\/b>,\u00a0Yunan mitolojisinde\u00a0Uran\u00fcs\u00a0ve\u00a0Gaia’n\u0131n k\u0131z\u0131 olan\u00a0adalet\u00a0ve d\u00fczen tanr\u0131\u00e7as\u0131d\u0131r. \u0130lahi adaletin tecess\u00fcm\u00fcd\u00fcr. Zeus’un Metis’ten sonraki ikinci kar\u0131s\u0131d\u0131r. Babalar\u0131\u00a0Zeus\u00a0olan,\u00a0Horae\u00a0ve\u00a0Moirae’nin annesidir. Kendisi \u00f6fkeli veya cezaland\u0131r\u0131c\u0131 de\u011fildir. Ona yeteri kadar sayg\u0131 g\u00f6sterilmedi\u011finde veya adaletsizlik yap\u0131ld\u0131\u011f\u0131nda, o sessiz kal\u0131r ve onun yerine\u00a0Nemesis\u00a0gerekli kar\u015f\u0131l\u0131\u011f\u0131, cezay\u0131 verir. Themis, ayn\u0131 zamanda k\u00e2hindir, keh\u00e2net g\u00fcc\u00fc vard\u0131r, keh\u00e2net yeri olan\u00a0Delphi tap\u0131na\u011f\u0131n\u0131 o in\u015fa etmi\u015ftir. \u0130lk d\u00f6nemlerde tam z\u0131dd\u0131 oldu\u011fu\u00a0Eris\u00a0ile beraber ve benzer resmedilmi\u015ftir. Son d\u00f6nemlerde ve daha sonraki \u00e7a\u011flarda ise g\u00f6zleri ba\u011fl\u0131 elinde bir terazi ile resmedilmi\u015ftir.\u00a0Roma mitolojisindeki\u00a0Iustitia (ilahi adaletin tecess\u00fcm\u00fc) Themis’in roma mitolojisindeki kar\u015f\u0131l\u0131\u011f\u0131d\u0131r denilebilir. Themis, do\u011fada, mevsimlerin, y\u0131llar\u0131n ve sanatlar\u0131n d\u00fczenini sa\u011flayan bir Tanr\u0131\u00e7a \u00fc\u00e7l\u00fcs\u00fcyle canl\u0131 varl\u0131klar aras\u0131nda ya\u015famla \u00f6l\u00fcm dengesini kuran bir Tanr\u0131\u00e7a, bir Tanr\u0131sal varl\u0131kt\u0131r. Themis, yasad\u0131r, kurald\u0131r. Ama gelip ge\u00e7ici bir yasa de\u011fil, Tanr\u0131lar d\u00fcnyas\u0131nda da insanlar d\u00fcnyas\u0131nda da de\u011fi\u015fmez evrensel ve \u00f6l\u00fcms\u00fcz do\u011fa yasas\u0131d\u0131r. Tanr\u0131sal yasad\u0131r, onun kar\u015f\u0131t\u0131 insansal yasa ise Nomos\u00a0Nemesis’dir. Themis, Olympos\u2019ta ya\u015far, Tanr\u0131lar\u0131n toplant\u0131lar\u0131na ba\u015fkanl\u0131k eder, Olympos’taki d\u00fczeni o korur, Homeros\u2019u da tan\u0131r, bilir onu, Hera ile Zeus\u2019la konu\u015ftu\u011funu g\u00f6sterir \u0130lyada\u2019da, ama \u00e7ok s\u00f6z edilmez Themis ten, efsanesi, \u00f6yk\u00fcs\u00fc yoktur, Her yerde her zaman vard\u0131r. \u00dcretti\u011fi, tanr\u0131sal varl\u0131klarla s\u00fcrd\u00fcr\u00fcr etkisini, bu varl\u0131klarlarda Tanr\u0131lardan daha g\u00fc\u00e7l\u00fc olduklar\u0131 i\u00e7in ehram\u0131n tepesinde oturur gibidir Themis. Ad\u0131 da koymak, yerle\u015ftirmek, oturtmak anlam\u0131na gelen bir k\u00f6kten t\u00fcremi\u015ftir. \u201cK\u0131l\u0131\u00e7\u201d adaletin verdi\u011fi cezalar\u0131n cayd\u0131r\u0131c\u0131l\u0131\u011f\u0131n\u0131 ve g\u00fcc\u00fcn\u00fc, \u201cTerazi\u201d adaleti ve bunun dengeli bir \u015fekilde da\u011f\u0131t\u0131lmas\u0131n\u0131 simgeler. \u201cKad\u0131n\u201d ve \u201cBakire\u201d olmas\u0131 ba\u011f\u0131ms\u0131zl\u0131\u011f\u0131 ifade eder. Ayr\u0131ca kad\u0131n\u0131n g\u00f6z\u00fc ba\u011fl\u0131d\u0131r. Bu da tarafs\u0131zl\u0131\u011f\u0131n\u0131 simgeler. Hukukun evrensel ilkelerini simgesel olarak ta\u015f\u0131d\u0131\u011f\u0131 i\u00e7in Themis heykeli adaleti ifade etmektedir.<\/p>\n

DIKE<\/b><\/h2>\n

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Dike, Themis’le Zeus’un k\u0131z\u0131 ve Eunomia ve Eirene’yle birlikte Hora’lar\u0131n biridir. Ad\u0131 Yunan dilinde bir\u00e7ok anlamlara gelir; simgeledi\u011fi ba\u015fl\u0131ca soyut kavram hak, do\u011fruluk ve adalettir. Dike s\u00f6zc\u00fc\u011f\u00fc, adaletin uyguland\u0131\u011f\u0131 mahkeme i\u00e7in de kullan\u0131l\u0131r, mahkemede verilen h\u00fck\u00fcm i\u00e7in de; “diken didonai” deyimiyse ceza g\u00f6rmek anlam\u0131na gelir.<\/p>\n

NEMESIS<\/b><\/h2>\n

\"\"<\/p>\n

Antik Yunan inanc\u0131nda\u00a0Nemesis<\/b>\u00a0(\/\u02c8n\u025bm\u0259s\u026as\/; Greek: \u039d\u03ad\u03bc\u03b5\u03c3\u03b9\u03c2), hubris (tanr\u0131lar\u0131n huzurunda kibirlilik) durumunda olan ki\u015filere kar\u015f\u0131 uygulanan ilahi cezan\u0131n ruhudur. Nemesis\u2019in tap\u0131na\u011f\u0131 Marathon\u2019nun kuzeyinde bulunan Rhamnous \u015fehrinde oldu\u011fu i\u00e7in Rhamnousia\/Rhamnusia (“Rhamnous\u2019un tanr\u0131\u00e7as\u0131”) olarak da an\u0131l\u0131r. Bir di\u011fer ismi \u201cka\u00e7\u0131n\u0131lmaz\u201d anlam\u0131na gelen Adrasteia\u2019d\u0131r.[<\/a><\/sup><\/p>\n

AIDOS<\/b><\/h2>\n

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Aidos<\/b>\u00a0(Yunan:\u00a0\u0391\u1f30\u03b4\u03ce\u03c2<\/span>,\u00a0telaffuz edildi<\/small>[ai\u032fd\u0254\u030c\u02d0s]<\/span>) oldu\u00a0Yunan\u00a0tanr\u0131\u00e7a\u00a0n\u0131n-nin\u00a0utan\u00e7,\u00a0al\u00e7akg\u00f6n\u00fcll\u00fcl\u00fck,\u00a0sayg\u0131, ve\u00a0tevazu. Aidos, bir nitelik olarak, erkekleri yanl\u0131\u015f yapmaktan al\u0131koyan o sayg\u0131 ya da utan\u00e7 duygusuydu. Ayn\u0131 zamanda, zengin bir ki\u015finin yoksullar\u0131n huzurunda hissedebilece\u011fi, ister \u015fans ister liyakat meselesi olsun, servet e\u015fitsizli\u011finin nihayetinde hak edilmemi\u015f oldu\u011fu duygusunu da kaps\u0131yordu. Eski ve Hristiyan al\u00e7akg\u00f6n\u00fcll\u00fcl\u00fc\u011f\u00fc ortak temalar\u0131 payla\u015f\u0131r: her ikisi de egoizmi, benmerkezcili\u011fi, kibir ve a\u015f\u0131r\u0131 gururu reddeder; ayn\u0131 zamanda insan s\u0131n\u0131rlar\u0131n\u0131 da tan\u0131rlar. Aristoteles bunu g\u00f6steri\u015f ve korkakl\u0131k aras\u0131nda bir orta yol olarak tan\u0131mlad\u0131. “Bir \u015feyde daha ba\u015far\u0131l\u0131 hale geldik\u00e7e, ilerlememizden gurur duyma ve artan ustal\u0131\u011f\u0131m\u0131z\u0131, \u00f6zellikle de ba\u015fkalar\u0131n\u0131n zevki veya onay\u0131yla birlikte, daha fazla iyile\u015ftirme i\u00e7in bir te\u015fvik olarak g\u00f6rme e\u011filimindeyiz. Bir piyanist, becerisini sergilemeyi sever. Bir Beethoven sonat\u0131 \u00e7almak; bir \u00e7\u0131rak marangoz, ellerinin \u00e7al\u0131\u015fmas\u0131nda sessiz bir tatmin hisseder; bir dans\u00e7\u0131, hareketlerinin di\u011ferine getirdi\u011fi zevki bilmekten zevk al\u0131r.Ama tevazu, tan\u0131m\u0131 gere\u011fi, bizi bu tatminleri sistematik olarak reddeden bir erdemdir. Bu gurur ister tamamen kendimiz taraf\u0131ndan \u00fcretilsin ister ba\u015fkalar\u0131n\u0131n onay\u0131yla beslensin, asla gurur duymamam\u0131z gereken bir erdem. Al\u00e7akg\u00f6n\u00fcll\u00fcl\u00fck sorunu, kazand\u0131\u011f\u0131m\u0131z herhangi bir geli\u015fme veya ba\u015far\u0131 i\u00e7in ba\u015fkalar\u0131na da sa\u011flam\u0131\u015f olabilece\u011fimiz herhangi bir geli\u015fme veya ba\u015far\u0131 i\u00e7in kendimize kredi vermenin \u00f6z tatminidir, al\u00e7akg\u00f6n\u00fcll\u00fcl\u00fck erdeminin pe\u015finde ko\u015farken, geli\u015fmeleri fark etmemiz muhtemeldir, bu da bunun sonucudur. daha m\u00fctevaz\u0131 hale geliyor. Al\u00e7akg\u00f6n\u00fcll\u00fcl\u00fck kendini de\u011ferlendirmeye ve kendini takdir etmeye diren\u00e7lidir, her ikisine de giri\u015fmek t\u00fcm \u00e7abay\u0131 geri almak gibidir.<\/p>\n","protected":false},"excerpt":{"rendered":"

EROS Latince ad\u0131 Cupidoi olan Eros, Mitolojide en \u00f6nemli a\u015fk Tanr\u0131lar\u0131ndand\u0131r. Homeros bu Tanr\u0131n\u0131n ad\u0131n\u0131 hi\u00e7 ge\u00e7irmezken, Heseidos Eros\u2019u \u00f6l\u00fcms\u00fcz Tanr\u0131lar\u0131n en g\u00fczeli olarak nitelendirmi\u015ftir. Peki neydi Eros\u2019u Yunanl\u0131lar i\u00e7in bu kadar \u00f6nemli k\u0131lan? Eros A\u015fk Tanr\u0131s\u0131 olarak erkeklerin kalplerinde kendisine yuva kuran bir Tanr\u0131yd\u0131. Erkeklerin a\u015f\u0131k olabilmesi onun elindeydi. Fakat Eros baz\u0131 erkeklerin kalbinde […]<\/p>\n","protected":false},"author":1,"featured_media":197,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[58,51],"tags":[],"_links":{"self":[{"href":"https:\/\/astrologoznurorgev.com\/index.php\/wp-json\/wp\/v2\/posts\/89"}],"collection":[{"href":"https:\/\/astrologoznurorgev.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/astrologoznurorgev.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/astrologoznurorgev.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/astrologoznurorgev.com\/index.php\/wp-json\/wp\/v2\/comments?post=89"}],"version-history":[{"count":4,"href":"https:\/\/astrologoznurorgev.com\/index.php\/wp-json\/wp\/v2\/posts\/89\/revisions"}],"predecessor-version":[{"id":241,"href":"https:\/\/astrologoznurorgev.com\/index.php\/wp-json\/wp\/v2\/posts\/89\/revisions\/241"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/astrologoznurorgev.com\/index.php\/wp-json\/wp\/v2\/media\/197"}],"wp:attachment":[{"href":"https:\/\/astrologoznurorgev.com\/index.php\/wp-json\/wp\/v2\/media?parent=89"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/astrologoznurorgev.com\/index.php\/wp-json\/wp\/v2\/categories?post=89"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/astrologoznurorgev.com\/index.php\/wp-json\/wp\/v2\/tags?post=89"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}